Main & Nano Gallery

The
Old Money Project

A Premature Monument to Paper Currency

Jan. 31 - Mar. 2, 2025

Opening Celebration
Friday, January 31, 2025
6:00 - 9:00 PM

Artist Talk
Sunday, February 9, 2025
3:00 - 4:00 PM

Closing Reception
March 2, 2025
6:00 - 7:00 PM

Mikael Colombu / Richard Trixson
RPG 006, 2022
Staples & Ink On Gicleé Print
47.25” x 19.84”
$5000

Curated by

Sonja Hall
Blair Harshbarger
Evan Johnson

Featured Artist

Mikael Columbu
(Richard Trixson)

Quick Links

About the Exhibition

Known for his collaborations with global icons like The Weeknd, Cee-Lo, The Avener, and Drake, Mikael Colombu—working under the persona Richard Trixson—offers viewers an intimate encounter with The Old Money Project, his incisive critique on inflation and the decaying value of currency.

Inflation is the greatest financial illusion in American history. Despite diligent savings and financial prudence, Americans face the unsettling reality that prices continue to soar as the Federal Reserve prints more money. Mikael's The Old Money Project is a bold artistic response to this economic phenomenon, shining a critical spotlight on the financial manipulation that impacts everyone. The project reimagines devalued currency as both an art form and a cautionary symbol of economic negligence.

Through characters like presidents Xesserson and Lardazenas, Mikael satirizes the fluid identities of politicians and their opportunistic exploitation of cultural motifs for political gain. The artwork uses discarded, nearly worthless currency, such as the 0.2 USD and 0.0001 Peso notes, to illustrate the fleeting essence of value and the political forces that shape it.

What sets Mikael apart is his reverence for the history embedded in each piece of currency. The bills—marked with stains, doodles, and tears—are transformed into a canvas that reflects the journey of money through time and human hands. They are not just artifacts of financial transactions but relics that tell stories of defiance, neglect, and the wear of time. Each piece in The Old Money Project invites viewers to consider the social and cultural narratives tied to our relationship with money.

Mikael's signature style, dubbed “Jankyvision,” which first gained international attention in The Weeknd’s "The Knowing" video, is on full display in The Old Money Project. This off-kilter realism offers a theatrical perspective on modern finance and politics, pulling viewers into an uncomfortable yet compelling dialogue on the performance of power.

The next installment of this exhibition series will offer the opportunity to engage with Mikael's work both in the digital and physical worlds, sparking conversations on money’s role in society, the performance of politics, and the fragile nature of value.

January 31 - March 2, 2025

Main & Nano Gallery

The Old Money Project

A Premature Monument to Paper Currency

Curated by

Sonja Hall
Blair Harshbarger
Evan Johnson

Quick Links

Mikael Colombu / Richard Trixson
RPG 008, 2022
Staples & Ink On Gicleé Print
47.25” x 19.84”
$5000

Mikael Colombu / Richard Trixson
RPG 008, 2022
Staples & Ink On Gicleé Print
47.25” x 19.84”
$5000

Featured Artist

Mikael Columbu / Richard Trixson

Mikael Colombu / Richard Trixson
RPG 006 - The First Mfers, 2022
Staples & Ink On Gicleé Print
47.25” x 19.84”
$5000

Opening Celebration
January 31, 2025
6:00 - 9:00 PM

Artist Talk
Sunday, February 9, 2025
3:00 - 4:00 PM

Closing Reception
March 2, 2025
6:00 - 7:00 PM

About the Exhibition

Known for his collaborations with global icons like The Weeknd, Cee-Lo, The Avener, and Drake, Mikael Colombu—working under the persona Richard Trixson—offers viewers an intimate encounter with The Old Money Project, his incisive critique on inflation and the decaying value of currency.

Inflation is the greatest financial illusion in American history. Despite diligent savings and financial prudence, Americans face the unsettling reality that prices continue to soar as the Federal Reserve prints more money. Mikael's The Old Money Project is a bold artistic response to this economic phenomenon, shining a critical spotlight on the financial manipulation that impacts everyone. The project reimagines devalued currency as both an art form and a cautionary symbol of economic negligence.

Through characters like presidents Xesserson and Lardazenas, Mikael satirizes the fluid identities of politicians and their opportunistic exploitation of cultural motifs for political gain. The artwork uses discarded, nearly worthless currency, such as the 0.2 USD and 0.0001 Peso notes, to illustrate the fleeting essence of value and the political forces that shape it.

What sets Mikael apart is his reverence for the history embedded in each piece of currency. The bills—marked with stains, doodles, and tears—are transformed into a canvas that reflects the journey of money through time and human hands. They are not just artifacts of financial transactions but relics that tell stories of defiance, neglect, and the wear of time. Each piece in The Old Money Project invites viewers to consider the social and cultural narratives tied to our relationship with money.

Mikael's signature style, dubbed “Jankyvision,” which first gained international attention in The Weeknd’s "The Knowing" video, is on full display in The Old Money Project. This off-kilter realism offers a theatrical perspective on modern finance and politics, pulling viewers into an uncomfortable yet compelling dialogue on the performance of power.

The next installment of this exhibition series will offer the opportunity to engage with Mikael's work both in the digital and physical worlds, sparking conversations on money’s role in society, the performance of politics, and the fragile nature of value.

January 31 - March 2, 2025

Main & Nano Gallery

The Old Money Project

A Premature Monument to Paper Currency

Curated by

Sonja Hall
Blair Harshbarger
Evan Johnson

Quick Links

Mikael Colombu / Richard Trixson
RPG 008, 2022
Staples & Ink On Gicleé Print
47.25” x 19.84”
$5000

Featured Artist

Mikael Columbu / Richard Trixson

Mikael Colombu / Richard Trixson
RPG 006 - The First Mfers, 2022
Staples & Ink On Gicleé Print
47.25” x 19.84”
$5000

Opening Celebration
January 31, 2025
6:00 - 9:00 PM

Artist Talk
Sunday, February 9, 2025
3:00 - 4:00 PM

Closing Reception
March 2, 2025
6:00 - 7:00 PM

About the Exhibition

Known for his collaborations with global icons like The Weeknd, Cee-Lo, The Avener, and Drake, Mikael Colombu—working under the persona Richard Trixson—offers viewers an intimate encounter with the Old Money project, his incisive critique on inflation and the decaying value of currency.

Inflation is the greatest financial illusion in American history. Despite diligent savings and financial prudence, Americans face the unsettling reality that prices continue to soar as the Federal Reserve prints more money. Mikael's Old Money is a bold artistic response to this economic phenomenon, shining a critical spotlight on the financial manipulation that impacts everyone. The project reimagines devalued currency as both an art form and a cautionary symbol of economic negligence.

Through characters like presidents Xesserson and Lardazenas, Mikael satirizes the fluid identities of politicians and their opportunistic exploitation of cultural motifs for political gain. The artwork uses discarded, nearly worthless currency, such as the 0.2 USD and 0.0001 Peso notes, to illustrate the fleeting essence of value and the political forces that shape it.

What sets Mikael apart is his reverence for the history embedded in each piece of currency. The bills—marked with stains, doodles, and tears—are transformed into a canvas that reflects the journey of money through time and human hands. They are not just artifacts of financial transactions but relics that tell stories of defiance, neglect, and the wear of time. Each piece in the Old Money collection invites viewers to consider the social and cultural narratives tied to our relationship with money.

Mikael's signature style, dubbed “Jankyvision,” which first gained international attention in The Weeknd’s "The Knowing" video, is on full display in Old Money. This off-kilter realism offers a theatrical perspective on modern finance and politics, pulling viewers into an uncomfortable yet compelling dialogue on the performance of power.

The next installment of this exhibition series will offer the opportunity to engage with Mikael's work both in the digital and physical worlds, sparking conversations on money’s role in society, the performance of politics, and the fragile nature of value.


Ruggenheim—an initiative born out of a collaborative pop-up event between the Old Money Project and Motoblek—has grown into a vibrant, locally rooted curatorial effort showcasing art that confronts the tangled relationship between money, value, and power. Following a successful one-weekend exhibition at DCAC in 2024 featuring artist Mikael Colombu (working under the persona Richard Trixson), we look forward to bringing this evolving, locally anchored, and intellectually rigorous exhibition to The DC Arts Center once again, with an installation that deepens the conversation around currency and its cultural impact.

From the start, the Ruggenheim initiative has been a distinctly DC phenomenon. Many of Mikael’s collectors are based here, and the project itself emerged from our community—friends, travelers, and collectors who wanted to share their art in a laid-back setting, rather than a traditional, insular gallery context. Our initial 2023 pop-up event proved the potential of this model: it attracted a lively, diverse audience and culminated in a surprise inaugural display of Mikael’s work. Following that success, the 2024 DCAC show was meticulously planned over the course of a year, involving local framers like Habib Ismati and culminating in the unveiling of physically “degraded” art, altered live in front of iconic DC landmarks.

With this next exhibition, we seek to build on that momentum. We view DC as an ideal stage for art that interrogates inflation, the performance of politics, and the fragility of monetary value. The city’s distinctive intersection of government, finance, and advocacy sets the perfect backdrop for artworks that highlight the tension between currency as an object of exchange and as a symbol laden with cultural and historical resonance.

Sonja Hall, Blair Harshbarger, Evan Johnson
Curators, The Old Money Project

Mikael Colombu / Richard Trixson
RPG 0017, 2024
Ink on Paper
15.75" x 15.75"
$1,250

Mikael Colombu / Richard Trixson
RPG 0017, 2024
Ink on Paper
15.75" x 15.75"
$1,250

From
The
Curators

From the
Curators

Ruggenheim—an initiative born out of a collaborative pop-up event between the Old Money Project and Motoblek—has grown into a vibrant, locally rooted curatorial effort showcasing art that confronts the tangled relationship between money, value, and power. Following a successful one-weekend exhibition at DCAC in 2024 featuring artist Mikael Colombu (working under the persona Richard Trixson), we look forward to bringing this evolving, locally anchored, and intellectually rigorous exhibition to The DC Arts Center once again, with an installation that deepens the conversation around currency and its cultural impact.

From the start, the Ruggenheim initiative has been a distinctly DC phenomenon. Many of Mikael’s collectors are based here, and the project itself emerged from our community—friends, travelers, and collectors who wanted to share their art in a laid-back setting, rather than a traditional, insular gallery context. Our initial 2023 pop-up event proved the potential of this model: it attracted a lively, diverse audience and culminated in a surprise inaugural display of Mikael’s work. Following that success, the 2024 DCAC show was meticulously planned over the course of a year, involving local framers like Habib Ismati and culminating in the unveiling of physically “degraded” art, altered live in front of iconic DC landmarks.

With this next exhibition, we seek to build on that momentum. We view DC as an ideal stage for art that interrogates inflation, the performance of politics, and the fragility of monetary value. The city’s distinctive intersection of government, finance, and advocacy sets the perfect backdrop for artworks that highlight the tension between currency as an object of exchange and as a symbol laden with cultural and historical resonance.

Sonja Hall, Blair Harshbarger,
Evan Johnson

Curators, The Old Money Project

Mikael Colombu / Richard Trixson
RPG 0017, 2024
Ink on Paper
15.75" x 15.75"
$1,250

Artist
Biography

Artist

Mikael Colombu

Mikael spent a career making visual art for the music industry and certain luxury brands. It doesn't appear he has hard feelings about it, but I don’t think it would be too presumptuous to say he’s happy to be able to work for himself today on ideas that he's been personally interested in for years - to include our nation’s currency. He reminds his more uppity collectors of this from time to time. He's grateful for their passion, however.


He resides in Paris and visits Washington, DC regularly. If you ever find yourself in the neighborhood, he’s happy to meet up for a coffee or rosé.

“My role, when it comes to those bills, is to honour the dollar and treat it how it will be remembered eternally: as a work of art and a great graphic job that convinced the world that flat inked paper was as valuable as shiny gold. But from a monetary standpoint, this is all a premature monument to paper currency.”

—Mikael Colombu / Richard Trixson

 

You Can Find
Us Here.

We’re located on the second floor of the building on 18th Street above Mola Empanada and Shiva Tobacco. We’re in between the Jerk Pit and Code Red and located across the street from Tryst. We’re the center door on the ground floor.

Nearest Metro Station
Woodley Park-Zoo/Adams Morgan (Red Line)

Metrobus Routes
90, 92, or L2